Entry tags:
Meeeeme
I really should be writing .... or answering comments on my recent fic (thank you!) ... but I'm sick and my brain is full of fog, so instead I'll do a meme, seen at
anodyneer and a bunch of other journals recently.
Give me a number and I will give you an answer!
1. Of the fic you’ve written, of which are you most proud?
2. Favorite tense
3. Favorite POV
4. What are some themes you love writing about?
5. What inspires you to write?
6. Thoughts on critique
7. Create a character on the spot... NOW!
8. Is there a character you love writing for the most? The least? Why?
9. A passage from a WIP
10. What are your strengths in writing?
11. What are your weaknesses in writing?
12. Anything else that you want to know... (otherwise known as Fill in the Blank)
If you are specifically curious about fanfic or original fic (or want me to answer for a particular fandom), let me know; otherwise I'll just answer for either/both/whatever I have a specific answer for. It's often different.
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Give me a number and I will give you an answer!
1. Of the fic you’ve written, of which are you most proud?
2. Favorite tense
3. Favorite POV
4. What are some themes you love writing about?
5. What inspires you to write?
6. Thoughts on critique
7. Create a character on the spot... NOW!
8. Is there a character you love writing for the most? The least? Why?
9. A passage from a WIP
10. What are your strengths in writing?
11. What are your weaknesses in writing?
12. Anything else that you want to know... (otherwise known as Fill in the Blank)
If you are specifically curious about fanfic or original fic (or want me to answer for a particular fandom), let me know; otherwise I'll just answer for either/both/whatever I have a specific answer for. It's often different.
no subject
no subject
But I still struggle with the emotion-level critique, and unfortunately critique in fandom often happens on that level, and it tends to hit me hard. This frustrates me, because I want to be a person who is able to take negative comments on board and take what's useful and let the rest slide off me -- because emotional critique is useful too (and when I say emotional critique, I mean something like "I really hate this character!" or "The ending was awful, I think the story should have ended X/Y instead!", as opposed to the emotionally-neutral "You misspelled a word in the second chapter" or "Actually it's a 5-hour drive from DC to New York, not a 4-hour drive" or "Hey, that plotline you started in chapter 5 just kind of disappears; what's up with that?"). Knowing that people aren't responding to the story as I intended is a very useful thing to be aware of, but that's where I tend to be so emotionally compromised myself that I respond to it badly.
And I don't think critique is always good -- there are definitely times when I just want squeeful cheerleading feedback, especially when I'm in the early stages of working on something. I also think it's important to learn how to sort out useful critique (comments that point out weaknesses you weren't aware of, or reinforces things you suspected were true but weren't sure) from unhelpful critique (suggestions that go against the grain of the story you want to tell).
So basically: for me, critique is usually good, but my own reactions to it aren't always good, and I could do better at that. :P
no subject
no subject
no subject
no subject
I'd do this meme, but I don't think anyone is interested in it from me, I don't write enough any longer. I still am fascinated by how it works for others and have no pride over snagging any insights on offer.
no subject
I mentioned this question to
Still:
I love smart plotting; I love character; I love humor (but only if its underpinnings are serious); I love diversity of all sorts, and exploration of different ways of thinking and being and living; I love stories that focus on friendship, family, or non-traditional romance rather than "but who shall I sleep with???" type angst. I love to be surprised. I tend to prefer spec fic or action main plots with a strong backdrop of character interaction, as opposed to the reverse (stories in which nothing happens but the character interaction), though there are always exceptions. I like consequences and I want to get the impression that the writer has thought through the implications of the plot and characters as much as possible. I like restrained emotions much better than emotional wallowing, especially emotions that are so subtle I don't even catch them 'til the reread. I like to be left hopeful rather than feeling like my dog was run over by a snowplow. Ideally I like a happy ending after the writer has genuinely made me doubt that any happy ending is possible. (But that's hard to do.) At the very least the happy ending should be hard won and have incurred a cost along the way.
.... yeah. That.