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Faro's Daughter redux
Having finished the book, I absolutely LOVED it and can now firmly say that it may be right up there with The Foundling as Favorite Heyer Ever. And the ending was a big part of that. (Possibly the fact that I haven't read any of her books in a while was also part of that. But still, it dovetailed very neatly into Things I Like.)
So basically I was braced for a hard turn into normalcy/respectability at the end. I was at the very least expecting a papering of further respectability over the heroine (roughly analogous to the beginning, where she's set up as Not Really Like That) and probably for her adopted sort-of-uncle to turn out to be outright evil rather than just a cheerful con artist.
But no! At the point when the book stops, she's still a faro dealer, her family of affable criminals and weirdos are still a bunch of affable criminals and weirdos, and while it's suggested at various points through the book that her aunt would like to stop running an illegal underground casino, there's no indication of this actually happening and in fact every single character in this book's inability to execute successful long-term plans make the odds of it continuing in some vaguely muddled form, through inertia if nothing else, more likely than not.
Also, that bit at the end where she tells him she's going to start a faro table - Max, you THINK she's joking, and she probably is at that point, but if you really piss her off I can absolutely guarantee that you will come home that evening and find that your house is now a casino filled with every ne'er-do-well in town that she personally knows, which is most of them.
It's possible that the author wrote the ending with the idea in mind that 5 minutes after the end of the book Ravenscar is going to buy them all a house in the country and nothing scandalous will happen again ever, but honestly? Based on every single thing that's happened up to this point, the entire rest of his life is going to be ENDLESS scandal and despair and both their aunts giving them horrified looks, paying off her family's never-ending debts, and dealing with the parade of losers, gamblers, and runaway brides she's going to drag through his life. Deb is still exactly as much of an irrepressible free spirit at the end, with Max in her life, as she is at the beginning when she's a faro dealer that no respectable person will speak to. It's great.
Basically, as much as I enjoy a good character-learning-lessons arc, nobody in this book learned a damn thing from ANY of this and it was truly refreshing. The only one of them who really grew as a person was Adrian quietly learning to take responsibility in the background.
Also, the hero's sweet but canny sister outfoxing the guy who's trying to scam her was one of my other favorite things about the ending - especially since it didn't involve turning him into an outright bad guy or taking a sudden left turn into punishing him for essentially being not one of the finer breed of people. Nope, he just got outconned by a better con than himself, who happens to look like a sweet-faced teenage girl.
So yeah, I spent the entire book braced for all the things that didn't happen at the end (Deb settling down and taking her place in respectable society in particular) and then it was absolutely nothing like that, and I loved it.
So basically I was braced for a hard turn into normalcy/respectability at the end. I was at the very least expecting a papering of further respectability over the heroine (roughly analogous to the beginning, where she's set up as Not Really Like That) and probably for her adopted sort-of-uncle to turn out to be outright evil rather than just a cheerful con artist.
But no! At the point when the book stops, she's still a faro dealer, her family of affable criminals and weirdos are still a bunch of affable criminals and weirdos, and while it's suggested at various points through the book that her aunt would like to stop running an illegal underground casino, there's no indication of this actually happening and in fact every single character in this book's inability to execute successful long-term plans make the odds of it continuing in some vaguely muddled form, through inertia if nothing else, more likely than not.
Also, that bit at the end where she tells him she's going to start a faro table - Max, you THINK she's joking, and she probably is at that point, but if you really piss her off I can absolutely guarantee that you will come home that evening and find that your house is now a casino filled with every ne'er-do-well in town that she personally knows, which is most of them.
It's possible that the author wrote the ending with the idea in mind that 5 minutes after the end of the book Ravenscar is going to buy them all a house in the country and nothing scandalous will happen again ever, but honestly? Based on every single thing that's happened up to this point, the entire rest of his life is going to be ENDLESS scandal and despair and both their aunts giving them horrified looks, paying off her family's never-ending debts, and dealing with the parade of losers, gamblers, and runaway brides she's going to drag through his life. Deb is still exactly as much of an irrepressible free spirit at the end, with Max in her life, as she is at the beginning when she's a faro dealer that no respectable person will speak to. It's great.
Basically, as much as I enjoy a good character-learning-lessons arc, nobody in this book learned a damn thing from ANY of this and it was truly refreshing. The only one of them who really grew as a person was Adrian quietly learning to take responsibility in the background.
Also, the hero's sweet but canny sister outfoxing the guy who's trying to scam her was one of my other favorite things about the ending - especially since it didn't involve turning him into an outright bad guy or taking a sudden left turn into punishing him for essentially being not one of the finer breed of people. Nope, he just got outconned by a better con than himself, who happens to look like a sweet-faced teenage girl.
So yeah, I spent the entire book braced for all the things that didn't happen at the end (Deb settling down and taking her place in respectable society in particular) and then it was absolutely nothing like that, and I loved it.
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I haven't read it in decades, but I remember really enjoying Faro's Daughter, and the subversion of romantic expectations may have been what did it. The Corinthian (1940) and Sylvester, or The Wicked Uncle (1957) I have re-read recently enough to call definite favorites.
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It was definitely a lot of it for me - that and the humor. It's an incredibly fun book, and laugh-out-loud funny in places.
I'm pretty sure I've read both of those, but it was back in a phase when I read a bunch of her books and remember few of them individually. I'll have to read them again!
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One of them is a screwball comedy that simply happens to be taking place during the Regency and the other is Gothic novel meta with shenanigans. I also like Black Sheep (1966), which is a fairly straight romance as far as genre is concerned, but I like both of the protagonists and it has nice structural irony.
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Words like "weak" and "submitted" and "cowed" are used in descriptions of how Deb's behaving at the end, in a way that's clearly supposed to be positive and complimentary. And she's "deeply pleased" to be addressed as "my beautiful idiot" by her love interest. It felt very much to me like Heyer was trying to take the wind out of Deb's sails and reduce her back down to what a woman ought to be, and it really bugged me.
This all is from when I read Faro's Daughter uhhhhh 9 years ago so it's possible I'd feel differently reading the ending now. But at the time it was a big enough deal to retroactively make me like the rest of the book less.
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I read all the library had at one point, and then began picking up others, from time to time, from Kindle and Half-Price Books. I went off Heyer for a while after I made the mistake of reading her Wikipedia entry and learning about her personal views -- she aligned toward some of the worst tendencies of her era, sadly, and surprisingly to me at that point, as my miscellaneous reading hadn't yet caught her at it -- but eventually I mentally reclassified her in my mind as more historical than contemporary, and went back to enjoying what she was so very good at, but with a more critical eye out for certain themes.
Her characters are not at fault for her failings. And oh! such characters!